Tales of Pao – Pao’s first birthday(January 2011)

February 5th, 2011 § Leave a Comment


Tales of Pao
is a bi-monthly, self-published small publication distributed free in Central London at selected shops. 30 copies of each issue are produced.
You can grab the January issue at these locations:

1. Playlounge
http://www.playlounge.co.uk
2. Concrete hermit(art & design bookshop)
http://www.concretehermit.com/
3. KKoutlet(where they also sell ‘Pao & the balloon’ 3D book)
http://www.kkoutlet.com/
4. Labour and wait (an ultra chic shop which sells home tools)
http://www.labourandwait.co.uk/
5. MAGMA bookshop (clerkenwell branch)
www.magmabooks.com

 

 

 

Final crit feedback

January 18th, 2011 § Leave a Comment

 

I came up with this narrative idea because firstly I wanted to be removed from huge sheets of plans, layout, technical drawing etc. the typical thing you get with a model kit. To rethink how instructions can be communicated, its form and medium, was primarily what I was concerned with. because if you do not know, I get easily pissed when cliche things cloud my brain and try to invade my work. as much as I can, I don’t really like doing what has already been done. honestly, I only started working on this project a day before, and the days before, I have been, at times, trying to come up with brand new solutions and alternatives to ‘plans’. so yeh, I worked 24 hours on this and managed to miraculously complete it, though not to entire satisfaction. that’s the thing about last minute work– you start to tire and lose concentration and you let things go easily. you will definitely miss out details or fail to predict what can go wrong, although I am quite certain there will definitely be some small details I will miss out and inevitably panic/give in at the last minute. not good at all. but I have a good reason for starting late so I forgive myself.

Idea
Write a narrative incorporating instructions to construct a plane. Instructions are integrated as part of storyline, making it an alternative process of model construction. can also act as role-play for kid and parent-child activity.

Form
an upright table-top flip chart (like a desk calendar) within the size of an A4 sheet. pages are double-sided and proceeds by flipping.

Considerations
1. workspace–need for an object that is upright, placed in right of you which you can consult easily as you work. I won’t opt for something digital when my workspace is crowded with tools, wood parts and sticky glue
2. instructions in point form
3. bigger text size and generous leading – used Helvetica rounded & Futura
4. illustration – target audience
5. organisation of content – information that needs to be constantly seen vs. information that can be flipped over/get rid off once used
the former was placed in the smaller column and the latter in the larger column(see images in previous post). the overview of the construction process is the former while the construction of fuselage, for example, is the latter. both columns can be flipped over, but at different points in time when needed
6. tick boxes for overview and assembly stage
7. ‘<<’ or ‘>>’ symbol on larger column to indicate corresponding information on smaller column
8. alternating important and clear information with story lines – for interaction between adult and kid. adult can read the instructions while the kid can identify parts needed from symbols shown. this alternation also acts as a break between certain activities which may be laborious and time-consuming.
9. incorporating instructions directly into story rather than showing it as a separate section – works well for activities with fewer steps/instructions
10. actual size plan layout can be removed by unhooking rings

Self-corrected mistakes
1.margin for holes forgotten
2. margin of text at edge misaligned
3. need for a more stable A-stand – make the A shape more symmetrical
4. pocket needed for wing plan(too huge to fit with the rest). can fold with origami technique
5. mistakes in layout: small and big columns for: flap wings, bird sees plane, wear wings pages
6. need for rings which can accommodate easy flipping of pages

Feedback + personal reflection
1. fail to fully integrated instructions into storyline. there is a clash in styles between narrating the story section and communicating instructions section. the latter is too strict and instructional. can do better to integrate and will def. lead to more interesting outcomes
2. think of it as a whole package– packaging etc.
3. moral of story?
4. incorporate a function to use of both sides/flipping– why are the pages printed double sided? can one side be for the kid, the other for the adult? engaging a few people in the activity simultaneously
5. keeping the language/tone of voice consistent throughout is crucial, especially when it comes to communicating the instructions
6. advice: start with a small section of the process and nail the communication, then expand to the whole
7. layout plan drawings should look less technical
8. look at existing childrens’ books which accommodates duality or multi-reader activities
9. page numbers
10. more tactile?
11. having break time for kids is important
12. on a positive note, it’s a fresh idea, and I should explore further, as commented. I think so too. it made me uneasy and unsure at first, most probably because I have no previous references of such existing form in my head. I was unsure whether to do it or not until the last minute. so I guess this is the kind of feeling you get when new ideas pop up. grab the feeling.

I was wondering if it is possible to remove the tone of voice from content but still communicate the latter. I guess it can be done, just that it will feel different and might affect communication?? IDK. I need to sleep. I have not slept for many hours. FYI, my self-directed project is not going anywhere. it hasn’t even started. a spark can be somewhat loosely related to what I just mentioned, so say, I take a haiku and use the content to write a short story. or I take content from non-fiction and write a poem with it.

我不知道!!!

BBird & Ruthcat–a narrative/instruction story

January 18th, 2011 § Leave a Comment

 

For this brief where we had to construct a balsa wood model plane and improve user experience by introducing design and communication changes to the existing instruction guide, I wrote a narrative with 2 characters and incorporated the instructions into the storyline. It is targeted at young children age 4-8 years, with adult guidance. sort of like a parent-child activity where both can read the story together and construct a plane in the process, ending up with an object and a story read.

Welcome to The (to-be) adventure of BBird.

 


BBird – lead character


Ruthcat – 2nd lead


BBird saw Ruthcat on TV and likes her. He wants to meet her.


He has to fly to Japan but his wings are premature so he has to build a plane to get there.


starts constructing plane according to instructions in model box he bought


construction plans


tired BBird after hours of construction


finally builds the plane and flies off to Nippon

 

October 2010 – Pao, X, R

December 15th, 2010 § Leave a Comment

 

Pao will meet the trucker cap guy again.  It cannot be avoided.

Familiar lines to Pao. He thinks he has heard someone whispered it into his ears before, but he can’t quite remember the details. Was it in his dream? Oh let me update you, Pao has taken on a new hobby – sleeping. Or should I say, dozing off for a long period of time. Blame the Dreams exhibition. It made him slumber too much he is really finding it hard to stay awake these days.
X.
The trucker cap, sharp protruding teeth guy.
X looks like Pao, yeah that X.
Pao has a sudden urge to meet X. His brain felt a sudden surge of neurons/memories. What were those images? He has not seen them before. The people, or should I say, things in the pictures, they, they look all alike. Oh wait, they look like…
Pao.
So many Paos! Oh but wait, pause for a sec, just reqind a few blinks back, yeah this image, and in the image is X. There’s someone else besides X(no, not Y). That other someone looks like Pao .
Pao?
The real Pao . The original one.
ME!
Go closer, yeah zoom into the picture, erm, 150% please. Right, there’s something else at Pao’s feet. It’s a, erm, a long thing with a stuck up tail.

EH??
Now this is kinda hard, can you visualise it for me? Draw it out, here, below, please. Not everyone can follow your trail of thoughts that easily you know.


What in the world is that thing?? How big/small is it? (If you judge by the extent of zoomification, that ‘it’ should be roughly, 5.555cm in height). Oh, so that’s just at Pao’s socks ‘innit! That’s MINIATURE.
Is it a rare creature?
I bet it is!
Weird looking, doesn’t have a name(or maybe it does but definitely needs 5.555cm length of alphabetes to make up his name indefinitely), in fact quite ugly, and can’t seem to fly – definitely a very very rare species, must be worth a lot of money shall we cage it up and auction it at Soootheby’s(the black market version) we will be rich wooh!!!!
Shucks. Where’s it gone!! It disappeared! I can’t see it at… 200% zoomification! Bloody HELL!! It was quick ‘innit.
(As quick as Ronaldo?)
Nah, don’t think that’s it’s name. Too common these days and I don’t think it has a preference for females.
Okay, please do not put such thoughts into my head. My head is on the verge of exploding at 200% zoomification well well we’ll bid our time. That 5.555cm sausage with a tail. Fine, let’s call it Ronaldo for now…

Update as of 2011: Ronaldo is now known as R

July 2010 – Pao & X makes physical contact

July 16th, 2010 § Leave a Comment

Pao finally meets X.

I do not know why they took so long to meet, but yes, this is it. If you have read the previous month’s entry, X was plain X, almost a joke(that’s April, 3 months back). What happened for the past 3 months then? It was the preparation phase, which includes:
1. Lessons on social etiquette
2. Techniques of hand-shaking
3. Proper eye-contact procedures
4. Medical health tips for heart-attacks
5. Body language workshops
6. ‘Controlling your body muscles in extreme situations’ lectures
7. ‘Identifying friend or foe’ training

…and last but not the very least, 8. ‘Sustaining a friendship’ immersion program.

Yes, it takes this long for Pao to get the hang of it. I’m still not too sure if he will make it in real time, real world, for the first time, as you know, Pao, no you won’t, and never will be able to know, Pao.

If I were to tell you that Pao had long knew he was gonna meet X, you’ve gotta believe me. Pao knows he’s not sleepwalking, but wait, Pao takes out a small, crumpled index card(blue-lined) which has tiny black scrawls on the lines. Three squints later emerged the letter X. Oh yes, that guy with sharp teeth, trucker cap, and erm, ‘looks like me’. Upon looking up the hand was already extended. Not a very long extension, about 3 footsteps away(I guess that’s the privacy Pao has to now step out of) and small angling fingers. They look well-primed and sincere. But where are Pao’s eyes now? THey are fixed on the trucker cap. There is something about that cap which held on to Pao’s nerves. It is uncertain right now what the sticky factor is but that aside, I think I just heard Pao’s heart skip a beat. Or was it? And another. A split second rewind reveals, to the tiniest fraction, a flash of delight on Pao’s face. Delight? What’s that to mean to Pao? Add to that a dash of joy nd warmth from the pits of his heart – a concotion of strange chemicals Pao has no previous reference in his mind. The hanging arm seemed to be extending its length bit by bit, edging towards the 2nd step, punctuating the self-constructed space(a right to invade, according to ‘Techniques of hand shaking’ lesson 2).

The first flesh-to-flesh contact is to KO in…5…4…3…2…1.
0.

1 2 3 4 5 sec the handshake lasted. It was a firm one. Then it ended hastily. Both hands quickly retreated(or slithered) back to their comfort zones and right here, right now, I decipher a line of beads down the side of Pao’s palm. No doubt, it’s a natural phenomenon. Then both parties went away in separate directions. Neither looked back.

Silence. I read that there are varying degrees of ‘society anxiety’. But to simplify things(as it always works with Pao), I’ll play it down to one word to sum it all up – shy.

How shy is this word shy? Well, it depends on how you see or write it. If shy is small and very long, it’s really shy. If it’s s h y, then it’s probably just pretending to be shy and needs some initiative on the other party’s part before a move can be made. If it’s shy in ultra condensed italics, well, this is kinda hard to read. You should probably leave it alone. I suggested to Pao that he prepare some topics for conversation on those small index cards(blue-lined) for emergency situations. Or at least when he feels ultra condensed shy, with a teeny bit of s h y.

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